About Me
My Photo
Annie in Austin
Welcome! As "Annie in Austin" I blog about gardening in Austin, TX with occasional looks back at our former gardens in Illinois. My husband Philo & I also make videos - some use garden images as background for my original songs, some capture Austin events & sometimes we share videos of birds in our garden. Come talk about gardens, movies, music, genealogy and Austin at the Transplantable Rose and listen to my original songs on YouTube. For an overview read Three Gardens, Twenty Years. Unless noted, these words and photos are my copyrighted work.
View my complete profile
Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Wednesday, December 23, 2009

Blooms of Late December

On the official bloomingday the 15th of December, the word wasn't Flower but Flour - it makes me happy to send a few homemade cookies with the Christmas presents to our families. Last week's chilly weather also put me in the mood to stay close to the warm oven and use old favorite recipes while watching vintage movies like Casablanca and Heaven Knows, Mr Allison. World War 2 movies somehow connect to Christmas holidays from childhood - maybe that's what played on TV during those weeks off from school?

Today those packages have reached their destinations, we're almost ready for Christmas and who needs the oven to keep warm when the thermometer reads 69F?

Time for the Solstice T-shirt designed by my son, a few garden tools and a camera



I'd found ranunculus bulbs in a bargain bin on a recent trip to the big box hardware. I'd already planted bags of mixed colors, but these were pink and destined for the Pink Entrance Garden. The chart on the package showed planting in zone 8 as October to December, giving me just a few more days to get them into the ground. My new Diamond Hoe was still shiny and unused - trying it out was a good reason to go outside. Soon the bulbs were planted and the diamond hoe worked exactly the way it was supposed to in the parking strip.

Instead of another session with the leaf rake, I'd rather take notice of the flowers today. After a couple of freezes the survivors are the tiny flowers - white oxalis buried in pecan leaves
Creeping phlox in the front bed
Deep rose Gaura unstoppable in the Pink entrance garden
Seedlings of cilantro and larkspur sprouting near starts of Lunaria
Cold changed the roses- magenta tones appeared on the buds of the Mutabilis rose
Cold deepened the pink of 'Belinda's Dream'
and turned 'Julia Child' buds from butter yellow to orange sherbet

The coral honeysuckle still holds on to old leaves turned yellow even as new leaves and buds unfold. The hummingbirds are long gone - they'll never sip from these flowers and the goldfinches aren't interested in nectar.
The floweriest part of the garden is on the north side of the shed
The stems of the paperwhites Narcissus flopped down in the cold, but most of the individual blossoms remain intact
Only a few flowers of Camellia sasanqua 'Shishi Gashira' are left to drop rosy petals
But the new Camellia japonica 'Morning Glow' is just now beginning to bloom - two flowers are open today.

How odd to live in a place where something like this blooms for Christmas!
However you celebrate, Dear Friends, may your days be merry and bright.

Annie

Monday, September 07, 2009

Looking for Julie and Julia

Looking for Julie and Julia was written by Annie in Austin for her Transplantable Rose blog.

Read at your own risk- POSSIBLE SPOILERS (and some Bad Language)

The Meryl Streep movie Julie & Julia made me too curious about Julie Powell & Julia Child. Now only a post the length of a term paper can corral my thoughts and contain the links.

MSS of Zanthan Gardens and I were at the Alamo Drafthouse South for the first show of Julie & Julia on opening day in Austin. The Drafthouse is always fun, the crowd was receptive and the turkey club sandwich I'd ordered in a nod to the era was quite good.

The movie starts in 1948 as Julia and Paul Child, married less than two years, drive in an elegant automobile to Paul's new post with the United States Information Service Department. During their five years in Paris, Julia first learned to eat the French way, and then decided to learn how to cook the food she loved to eat. Julia's book, My Life in France, written by Julia with Paul's great-nephew Alex Prud'homme, and letters written by Paul to his brother Paul Child were credited as the base for this part of the movie. I haven't bought My Life in France yet, and wonder whether their real Paris home could have been anywhere near as lovely as in the movie.

I was a goner from scene one and the best part of the movie for me was the tender, humorous, supportive and loving relationship between Julia and Paul - Meryl Streep and Stanley Tucci seemed so perfect! Julia's sister Dorothy is played by wonderful Jane Lynch and there's a scene at the train station where Paul beams as Julia rushes to meet Dorothy.

Just thinking about any scene with the two sisters makes me smile! Chopping onions can make me smile! Next time I cook manicotti they will make me laugh!

Because of PBS, we've been able to watch Julia on television for decades - along with picking up cooking ideas, I absorbed the belief that Julia was civilized and generous and loyal. Julia's life in Paris seemed even more civilized and calm when contrasted with the contemporary tale of Julie Powell, afraid to turn 30, riding NY subways to work.

All that I knew about Julie on August 7th was the stuff of press notices - she was a New York blogger who cooked all the recipes from Mastering the Art of French Cooking over the course of a single year. Local news included the information that Julie is originally from Austin and that her parents live here. The Julie in Nora Ephron's movie is unhappy, emotional, at loose ends, loves her patient, encouraging husband Eric, is worn out by her job and is very self-absorbed. That part of the movie starts in August 2002 with Julie working in a cubicle for a government agency planning the memorial for the Twin Tower property while her friends put together multi-zillion dollar deals and get books published.

When her husband Eric gives her the idea to start the blog it seemed pretty real to me, although she didn't rewrite everything 5 times. On that day at the Alamo it was easy for MSS and me to relate to a character who was a blogger, especially one who seemed truly serious about writing. We laughed as the movie Julie creates her blog, and felt her thrill as she receives the first comments. The date of 2002 fell a year after MSS started Zanthan Gardens and a year before I started the original Diva of the Dirt site - long ago in blog years.

Paris in 1948 looked exotic and beautiful...Ephron has loaded Julia's story with mid-20th century hats & dresses and postures, elegant rooms, cigarettes, private dinners, restaurants, architecture, furniture, cocktails and guilt-free dining.
For me- who lives in a suburban development in the middle of Texas - the scenes of city life in a super-grubby apartment over a pizza parlor in Long Island City, Queens, New York seemed almost as exotic as the Paris settings.

The style and energy of Parisian life also make Julie's post-9-11 life seem even more drab and dreary in comparison, with a few scenes that seemed right out of Joe Versus the Volcano. (a movie written and directed by the same John Patrick Shanley who wrote & directed Doubt, starring Meryl Streep & Amy Adams, thus proving that everything is connected somehow.) I was glad Nora Ephron allowed both Julie and Julia to rejoice in and appreciate their loving, supportive spouses, something that should be done by all of us who have better partners than we deserve.

Julia's story was full of real people like her cowriters Simone Beck and Louisette Bertholle (loved Linda Emond as Simca), her editor Judith Jones, her father, and her sister Dorothy, who did marry Ivan Cousins (in June, 1951 in New York according to a genealogy website).

Nora Ephron's treatment of the two stories gave us an entertaining and emotionally engaging couple of hours with interesting actors, fun sets, stunning food, nifty conversations, a few digs at pretension, sight gags, snappy lines and situations leading to punchlines. I didn't expect great accuracy from this kind of movie, but thought it could be fun to try figuring out what is based in fact and which things are Nora, Nora, Nora.

Again... the movie was fine - this post is not about changing it, or improving it, or telling Nora Ephron what she should have done! But sorting and making lists and finding links to what was probably true and what ended up in the script is a fun game and I wanted to play that game.

I still intend to get My Life in France and Julie/Julia and at least browse Mastering the Art of French Cooking. I read that the movie-tie in version of My Life in France lacks photographs that were in the original book. Even without the books, there were plenty of articles and interviews about Julia, Julie, the project and the movie available online. Julia had many birthday interviews after she turned 80. Some of the data may be wrong, but patterns emerged and I've tried to figure out what is probably true.

Earlier this week I saw J & J with my husband Philo at the Gateway in the Arboretum. We'd enjoyed the pairing of Meryl Streep and Amy Adams in Doubt and I was sure he'd like this movie. I tried to guess which scenes would crack him up. For me it was even more enjoyable to watch Meryl and Stanley portray Julia and Paul Child at this second viewing, partly because I had more background information.

For example - those posed nude photos in the bathtub really were made for their friends. Beverly Levitt quotes Julia in a 90th birthday interview.
"My parents were outraged," she says with a laugh. "They thought we'd hired a photographer to come into our bathroom. They didn't know that all photographers have timers. It was the '50s and everyone was so prudish."

The official sources agree that Julie and Paul really were together in the OSS, he did have a reputation as a loverboy, they really did have reputations as genuine party people. Paul & Julia seemed to rejoice in and love the families of their brother and sister. I liked this interview with great-grand niece and namesake Julia Prud'homme, who played the bridge instructor in the movie. My fond impressions of Julia and Paul didn't change....but they deepened.

What did change was the way I felt about the Julie character the second time around. Amy Adams did a fine job with the part as written and with the lines she was given. But those big light eyes looking sincerely and adoringly at her idol now appear to be more Nora, Nora, Nora than Julie, Julie, Julie.

After seeing J & J the first time I'd found and read over most of the entire original blog of the Julie/Julia project and tried to read most of the comments...later posts have hundreds of comments and something in the comment posting format led to many duplicates.

Was the Julie in the blog anything like the Julie in the movie? In the movie, all we learn of her background are a few passing mentions of Amherst and her mother's voice on a phone, calling from Texas. In real life Julie is Austin-born and bred, her parents live here and I heard that her mom doesn't sound one bit like Oklahoman actress Mary Kay Place.

Eric Powell is played by Chris Messina from Vicky Cristina Barcelona. During the course of the year Julie & Eric go back & forth to Austin for visits and family events. Her parents and Eric's parents come to visit them in Long Island City, offering help, recreation and unsolicited advice - friends and members of the extended family encourage and comment and telephone. The blog is sprinkled with references to places in Austin - Mr Gatti's, Central Market, Three Amigos, Whole Foods.

Google "Julie Powell images" and you'll see that dark-haired, dark-eyed Julie doesn't look anything like Amy Adams ... she looks like an Austin smart-ass to me. Julie in the movie wonders tearfully if her 'occasional' swearing on the blog could have turned Julia off.... Julie of the blog drops F-bombs like apostrophes and has strong opinions on everything.

Julie in the movie calls Julia "adorable". Julie on her current blog, What Could Happen? says, "The trouble is, I would never say something like Isn’t Julia Child adorable? Julia Child, for chrissakes, this literal and figurative giant of a woman who changed the lives of thousands and the entire American culinary landscape ... adorable?"

In the movie, Julia and her sister Dorothy make allusion to their dislike of Pasadena Republicans and rue the McCarthy years... apparently all true. Julia was still outspoken about politics at the age of 90 when interviewed for MS Magazine. Movie-Julie doesn't have much to say about politics, but Julie on the Blog sure does - with opinions on elected officials and elections - national, Texan and New York.

In the movie Julie has a friend Sarah, played by the interesting Mary Lynn Rajskub. In another scene Julie meets three overachieving college friends for their traditional Cobb Salad lunch. It was a funny scene, but it didn't feel real and the friends could be the snobby rich friends in anyone's movie. The actress who played the dreadful Cassie is Vanessa Ferlito.

(I don't know Vanessa but when she was in the Tarrantino & Rodriguez movie Grindhouse, Philo & I were among a dozen or so people watching night filming of a scene in a parking lot on Burnet. While the special effects people worked on setting it up, Vanessa acted like a real person, coming over to the barrier, holding the baby of some fans, smiling at toddlers and speaking to their parents.)

Rather than having just one true friend 'Sarah', Blog Julie had a core of terrific friends like Helen & Emily & Lisa, who struggled with the undependable transit system to get to Long Island City, share food and support her.

I was glad to read that the Cobb salad friends are fictional! Here's what Julie said in a Slackerwood interview:
"People ... say things like 'I hated your friends with the Cobb salad.' There were no friends with the Cobb salad. That's Nora Ephron's invention...people are equating me with this fictional character. It's a little surreal, but you get used to that too."

In the movie, Julie and movie Eric move to an apartment over a Pizza Restaurant. Before the movers arrive movie Julie lets the cat out. While unpacking she sits on the floor looking glum. Months later, photogenic friends appear for dinner parties where hostess Julie produces perfectly cooked food from her hot apartment kitchen without even working up a sweat.

Real Julie and Eric do move to Long Island City, but that happens after the blog has started, the apartment is over a Greek Diner and Julie complains about the lack of pizza places in Long Island City. They work to improve the apartment. From Julie's blog:

"My Eric and I had a bona-fide yuppie experience yesterday. We went over to our new Long Island City loft apartment to tear up the tile in the kitchen...After an hour and a half on our hands and knees with a chisel, we'd mostly gotten up the piece-of-shit beige linoleum and uncovered some older piece-of-shit-green tiling beneath... we hit wood! Not only that, but between the vinyl and the wood was some gorgeous, maybe 30s handpainted stuff with flowers and deco designs! Most of it was covered with tar and unsalvageable, but hey! Pretty exciting! We felt like really terrible archaeologists!!"

Movie Julie has the cat. Real Julie had cats plural, and she also has a snake named ZuZu. To feed the snake Julie goes shopping in Park Slope at "the mouse store". I'm having a lot of trouble imagining Amy Adams feeding mice to a snake.

Movie Julia Child strolls around Paris making friends with the purveyors of fresh meat, seafood and vegetables, and it looks like a dream - like a trip to the best Farmers Market in the world where you never think about what anything will cost.

Movie Julie Powell goes to Dean & Deluca, purchases her ingredients and then has Lucille Ball moments getting her loot home on the subway. She also has a few meltdowns when the cooking doesn't work out.

Real Julie and Real Eric work all day, then spend exhausting hours shlepping from store to store in search of the ingredients needed for the recipes. They complained about Dean and Deluca (shrimp for $24 a pound?) doing better at Jefferson Market & Fairway. Many of the recipes in the book call for kinds of meat that have to be ordered or searched for - veal bones for marrow, kidneys and giblets and gizzards, livers, calves foot, beef shins, mussels and squab, vegetables like celeriac & shallots - she needed truffles, arborio rice and semi-sweet chocolate, espresso powder, rum. She buys a goose and when she starts to cook it finds out the liver, a necessary item, is missing. There were failures and substitutions and many times she couldn't afford the exact ingredient or didn't have the right kitchen tool to follow Julia's instructions exactly. One of the items she tried to juggle in the actual overloaded subway incident was a live mouse for ZuZu.

The shopping part reflected some of my own experiences... going to 3 different grocery stores trying to get what I need for a recipe ... and I have a car! I can't imagine how exhausting it must have been to do this after work, traveling on the subways while carrying perishable foodstuffs. Hunter-gathering takes a hell of a lot of time in the real world.

Julie doesn't give the actual recipes, but the blog has space for blow-by-blow recitals of actual cooking processes. Sometimes the dishes do not turn out as well as they should - other times Julie describes their deliciousness so well you want to try the recipe. The complicated recipes took longer than expected and there were mounds of dirty bowls, pots and tools. Sometimes Julie came home from work and started cooking at 8, eating at 11:30Pm .... the 'saintly' Eric did most of the dishwashing and also cooked non-French food like Enchiladas on Spicy Thursdays. Her mom worried about her exhaustion and Julie was very sick at one point.

Like Eric, many people in our family have trouble with rich food. We laughed in recognition at the scene where Julie lies snoring while Eric pops antacid tablets like M & M's. There's payback when those who can't digest butterfat indulge in whole milk, sour cream, real whipped cream and butter, which is why we enjoy seeing Julia cook with butter but seldom use it.

That reminds me - the Butter Tribute at the Smithsonian was recounted in the blog on September 8, 2003. Julie wrote that she & Eric were worried about being caught bringing the butter into the exhibit containing Julia's kitchen. She added:
"... It was interesting to watch the little kids who came in watch the video that was running of Julia shows and interviews with other chefs about her. I can’t tell if it was just the hypnotic pull of television or what, but the kids actually watched it..."

That line brought to mind an image of my daughter age 4, recovering from a scary bout of bronchitis, wrapped up in a blanket in her little rocker. She watched Julia after lunch each day, rocking and giving the show complete attention - once turning to me to ask, "Is Julia CHILD a grown-up?"

Real Julie & Real Eric watch, discuss and quote TV, DVD's, and Netflix rentals including Family Guy, Extreme Makeover, Buffy, David Strathairn, Bollywood movies, the Austin-made Waking Life , Frances McDormand and Christian Bale in Laurel Canyon, True Romance, Mostly Martha, West Wing, X-Men, the Sopranos, Val Kilmer.

I read the blog in chunks of weeks and the timing for finding one post amused me... Philo & I had been watching episodes of a British comedy series called Manchild with Anthony Head. The very next day I read Julie's comments about Anthony Head's character on Buffy.

I'm very interested in seeing how the Julie/Julia Project was condensed into a book since I loved the blog comments and the interactions between Julie & her commenters and the commenters with each other. In both blog and movie, many of her readers and commenters sent Julie gifts of ingredients and some hit the Contribute button.

In that interview by Natalie Haughton, Julie talked about the difference between herself and the movie Julie and also touched on the whole JULIA HATES ME thing:

Q: What did you think of the movie and how you were portrayed by Amy Adams – was it accurate?

A: Yes and no. I thought it was a really lovely movie. Amy Adams is a wonderful actress, and I am a big fan. The characters were based on what's in the book. (Powell met Adams after the movie was filmed.) Amy is portraying Nora's version of me. Amy – Nora's Julie Powell – is a softer/nicer person who doesn't curse as much as I do. Nora made the kitchen as constricting as possible – it was smaller, but not as nasty (as my kitchen).

Q: What about the scene in the movie where Julia Child didn't like/approve your project?

A: A reporter had interviewed her and asked her about project. She said, "I know about the project, not interested in it," and was basically dismissive and had no comment. It was devastating. It's corny, but I had been living with "Julia" for a year, and the one I invented understood what I was doing. It was hurtful because I spent a year doing a tribute to her courage and generosity.
She changed me. When I picked up the book and decided to do the project, I thought I was just trying to learn how to cook French food. What I was getting from this book and the pages and her writing was this avocation of courage and pushing forward and daring me to do something I didn't think I could do. By the end of the year, by her example and cooking through the book, I had become more courageous.


More on that "Julia hated Julie thing" - when Judith Jones, the editor of Mastering the Art of French Cooking and a character in the movie was interviewed by Constance Droganes she said, "If they met I think Julia would have liked her. But given what we had to go on from the early blog I don't think Julia thought she was a serious cook. Secondly, you just didn't use swear words in cooking. Not where Julia was concerned," says Jones.

I've read speculation from many sources about what Julia would have thought of Julie... it was interesting to hear my own husband unknowingly echo some of them when he wondered whether Julia was turned off because she thought the MtAoFC was a gimmick for Julie to get famous.

I guess it's possible, but were blogs already considered a launching pad for writers back in 2002 when Julie started her blog? I'm not sure how many people read blogs then. Websites, yes - people like Harry Knowles and Ain't It Cool News had been recognized by the late 1990's as having influence, but I'm not so sure about blogs. Wouldn't the blog have been more focused if she'd planned it to be a book? Would she have cleaned up the language?

Julie claims not - she says this in the Slackerwood interview:

"When I started the blog, I didn't know what a blog was. I thought it was going to be for my mom to read. So by the time I had a readership, I had set this level of intimacy. I couldn't go back because I had readers, and they'd basically call bullshit on it. I'm really glad that it happened that way, that I didn't know what I was getting into because it was so important to the development of my tone and my voice as a writer. I don't know that I could do that now. If I started a blog for the first time now, I am inevitably going to hold stuff back. I still think I try to be honest as I can and upfront as I can be. Knowing that there are potentially millions of people reading --"

From my position in the middle generation between Julia and Julie, the theory that Julia didn't like Julie's blog because of the swearing seemed plausible. My mom and aunts and most women I know who were around before World War 2 could put-up with certain swear words - "damn" and "hell" and probably "bitch", possibly "bastard" and possibly a well-placed "shit". I've seen references to Julia Child herself saying, "Balls!", "Screw it" , the manicotti remark and possibly even giving the finger. But using "fuck" in the middle of a paragraph? I thought that would have been an almost insurmountable problem for many women.

But writer Russ Parsons doesn't think it was just the swearing - he knew Julia and claims that Julie's problems with the recipes seemed to demonstrate a lack of seriousness to Julia. His arguments are pretty good!

After the project had been in swing for a few months it did get noticed, and as she reached the home stretch in August 2003, Julie even allowed herself to joke that if her story were made into a movie, it should star Kate Winslet.

These numbers seem pretty solid: Julia McWilliams Child was born August 15, 1912, graduated from Smith in 1934, worked in advertising, did freelance writing and volunteer work for the Red Cross. She was 29 when the December 1941 attack on Pearl Harbor threw the USA into World War II. After she joined the OSS she met Paul Child and in September 1946, when she was 34, they were married. The Childs arrived in Paris where Julia met French food in 1948. Cooking school came later. She was 49 when Mastering the Art of French Cooking was published.

After reading so much about Julie and Julia I liked both of them even more. And it's impossible not to wonder what would have happened if that meeting between Julie & Julia had taken place after the project was completed... would Julie's nervousness make her act like an oaf? Would 90-year old Julia be reminded of her less-formed self at thirty? Maybe Julia would have admired Julie's determination and grit but how would she feel about cooking as a self-help project? Julia first fell in love with the sensual pleasure of eating perfectly cooked French food - only later did she decide to master French Cooking.

Julie, on the other hand, didn't spend much time playing with her food - she pounced on it, killed it, and then laid it as tribute at the feet of the one she loved.

Maybe Julia would have been okay with that eventually - word is she loved cats, and her kitchen in the Smithsonian featured one of my family's favorite Kliban cartoons on its wall

"Love to eat them mousies / Them mousies I love to eat / Bite they little heads off / Nibble they tiny feet."


Some of the sources:

Paul's NYTimes obit tells a lot about his entire life, including the decades before he met Julia.

Here is Julia's NYTimes obit, with mention of the Valentine postcards in the tub.

This MSNBC appreciation of Julia at her death in August 2004 includes biographical notes and quotes.

This NYTimes article from 1997 includes a birthday poem for Julia by Paul, referring to her legs and her "sweetly rounded bottom"

Julia Child celebrates 90 years, Beverly Levitt interview

Julia's Kitchen, now at the Smithsonian

Interview with Julia's namesake Julia Prud'homme

Slackerwood interviews Julie Powell

Natalie Haughton interviews Julie Powell

Reflections on Julia and Meryl by Julia's assistant, Gourmet Magazine Chef Sara Moulton

Julia Child film on American Masters

The Russ Parsons Post - many thanks to ChuckB of MyBack40Feet for leading me to it!

MS Magazine interviews Julia in 2003

Dale Roe on new TV shows - Jane Lynch to be in "Glee"

Looking for Julie and Julia was written by Annie in Austin for her Transplantable Rose blog.

Monday, January 26, 2009

Thought Pops, Edition 4: Tropic Thunder

This post, Thought Pops, Edition 4: Tropic Thunder , was written by Annie in Austin for her Transplantable Rose blog.



Can it really be almost two years since the last "Thought Pops" post? That tag was made up to designate a post with unconnected ideas, so it's useful for this misty day in January. We're getting only mist- not rain - but with possibilities for freezing sleet and rain tomorrow night. The pale peach iris that opened this morning may be in for an unpleasant surprise.Annieinaustin, Pale peach iris


Texas Home and Garden Show

Philo and I went to the Texas Home and Garden Show yesterday courtesy of Lindsey George. Thanks, Lindsey! We didn't expect a lot of gardening products so weren't disappointed that the emphasis was home improvement. After interesting conversations with many of the exhibitors we came home with a few purchases and lots of information and literature about future house projects. Philo likes browsing (and grazing) at the food booths - he found some good stuff at Joy Peppers of Austin. We bought the Blueberry jalapeno jelly and love it!Joypepper.com via Annieinaustin


Someone Has Eaten My Daylily

For GBBD on the 15th I showed you a confused daylily in bud. That bud opened and more buds were in waiting. How odd to see a daylily in flower with narcissus!January daylily, Annieinaustin

There are no buds in waiting now - the entire stalk has been bitten off - by a squirrel, no doubt.
Bitten daylily, Annieinaustin


Another Flower Open
The Camellia japonica 'Pius X' had no open flower for Bloom Day, but there's one today. Only two more buds left - sure hope squirrels don't find them delicious, too.Pius X camellia, Annieinaustin

Attn Ben Stiller!

Although the all-male cast was irresistible (Ben Stiller, Robert Downey Jr., Jack Black, Steve Coogan, Matthew McConaughey, Nick Nolte, etc.), I refrained from seeing Tropic Thunder at the theater last summer. Seeing Mamma Mia with an audience was fun, but I wasn't so sure about seeing this rowdy comedy with a crowd. When Robert Downey Jr was nominated for the Oscar for best supporting actor last week, the DVD was serendipitously waiting on the coffee table.
JBlack, Tropic Thunder websiteDid anyone else see this loud, violent, funny, very 'R', over-the-top movie about making a movie? Should I admit how much I liked it? I also watched the actors' commentary track and if there were an Oscar for acting on the extra tracks of a DVD, Robert Downey Jr. should probably get that one!
The commentary told which scenes on the DVD were not in the original movie - including many of the scenes I liked best. Directors feel obliged to cut out exposition and dialogue and amusing asides to move a movie forward and make it commercially viable.


But like Tristram Shandy, I'm all about the asides.



This post, Thought Pops, Edition 4: Tropic Thunder , was written by Annie in Austin for her Transplantable Rose blog.

Saturday, August 16, 2008

Jake's Peaches

Last April I told the world the story of Jake's peach tree - the saga of a Harry & David peach pit, planted a few years ago by my sister and her husband and son Jake. In its fourth spring the tree burst into beautiful pink bloom and Red and her family hoped there would be peaches.

Next came a photo of the developing green fruit and then in July the photo above showed them beginning to color.

A week ago my sister Red sent this photo of the ripening fruit with the guy who planted the tree and had faith that it would grow and bloom.


A
nd she also sent a photo of some peaches in a bowl. They weren't huge, but they were beautiful peaches!



W
hen a recycled Harry & David box arrived this afternoon - I had to share the joy!





Dear Family,
There's a light fruity fragrance already - maybe Philo and I can sample one of these very special peaches tomorrow. Thank you all - I can't believe you did this!


And Red - sure hope you and sister Josie will have a chance to get to Mamma Mia soon if you haven't already been to the theater together.
I wrote about seeing it this week with my friend MSS over here at Annie's Addendum and don't think there are any real "spoilers' in my post.


I bought the CD yesterday - guess what - the booklet has all the words, so by the time the DVD comes out - I'll be ready.


Now I just hope you are as thrilled with the movie as we are with the peaches!

Monday, July 21, 2008

Entertainment Weekly’s list of the top movies of the last 25 years

One minute I was with Philo and MSS on the Pond Tour, snapping away while listening to the owner's tale of why they needed the extra bit of splash provided by the blue jar...

And the next minute I was looking at a permanently black face on our digital camera...

While I ponder what to write about the tour (and we go out to look at affordable cameras) here's a list from Planet Pooks to play with. It's Entertainment Weekly’s list of the top movies of the last 25 years.


The original instructions say to " 1) Bold the ones you have seen. 2) Put an asterisk after the movie title* if you really liked it. 3) Cross it out if you saw a film and really disliked it. 4) Underline the ones you own."


That may work for you "J" types, but these rules didn't work for "P"-type Annie, so I made up my own.

1) Bold the ones you have seen.

2) Put an asterisk after a movie title if you saw it, then watched it at least one more time on purpose.

3) I'm not a crosser-outer. There have been too many movies that I disliked when I saw them, but later came to appreciate. But if you want to do it - go for it.

4) Underline the ones you own.

It's not a meme or a tag - just a little game that was interesting on a day when the temperature once again had 3 digits and started with the number 1.

The instruction to underline had me baffled for a minute, so I first made my list as a word doc, put the underlines on there and clipped and pasted. Then I looked at it in the blogger Edit Html and the code appears to be just small letter u and /u enclosed in pointy brackets. Is it really that simple? You can stop laughing now. Here's my list - accuracy is not guaranteed but I did try!



1. Pulp Fiction (1994)

2. The Lord of the Rings trilogy (2001-03)

3. Titanic (1997)

4. Blue Velvet (1986)

5. Toy Story (1995)

6. Saving Private Ryan (1998)

7. Hannah and Her Sisters (1986)*

8. The Silence of the Lambs (1991) *

9. Die Hard (1988)*

10. Moulin Rouge (2001) *

11. This Is Spinal Tap (1984)*

12. The Matrix (1999)

13. GoodFellas (1990)

14. Crumb (1995)

15. Edward Scissorhands (1990)*

16. Boogie Nights (1997)*

17. Jerry Maguire (1996)

18. Do the Right Thing (1989)

19. Casino Royale (2006)

20. The Lion King (1994)

21. Schindler’s List (1993)

22. Rushmore (1998)*

23. Memento (2001)

24. A Room With a View (1986)

25. Shrek (2001)

26. Hoop Dreams (1994)

27. Aliens (1986)

28. Wings of Desire (1988)*

29. The Bourne Supremacy (2004)

30. When Harry Met Sally (1989)

31. Brokeback Mountain (2005)

32. Fight Club (1999)*

33. The Breakfast Club (1985)*

34. Fargo (1996)*

35. The Incredibles (2004)

36. Spider-Man 2 (2004)

37. Pretty Woman (1990)

38. Eternal Sunshine of the Spotless Mind (2004)*

39. The Sixth Sense (1999)*

40. Speed (1994)*

41. Dazed and Confused (1993)

42. Clueless (1995)

43. Gladiator (2000)

44. The Player (1992)*

45. Rain Man (1988)

46. Children of Men (2006)*

47. Men in Black (1997)

48. Scarface (1983)

49. Crouching Tiger, Hidden Dragon (2000)

50. The Piano (1993)*

51. There Will Be Blood (2007)

52. The Naked Gun: From the Files of Police Squad (1988)*

53. The Truman Show (1998)

54. Fatal Attraction (1987)

55. Risky Business (1983)*

56. The Lives of Others (2006)

57. There’s Something About Mary (1998)*

58. Ghostbusters (1984) *

59. L.A. Confidential (1997)*

60. Scream (1996)

61. Beverly Hills Cop (1984)

62. sex, lies and videotape (1989)

63. Big (1988)

64. No Country For Old Men (2007)

65. Dirty Dancing (1987)

66. Natural Born Killers (1994)

67. Donnie Brasco (1997)

68. Witness (1985)

69. All About My Mother (1999)

70. Broadcast News (1987)

71. Unforgiven (1992)

72. Thelma & Louise (1991)*

73. Office Space (1999)

74. Drugstore Cowboy (1989)

75. Out of Africa (1985)

76. The Departed (2006)

77. Sid and Nancy (1986)

78. Terminator 2: Judgment Day (1991)

79. Waiting for Guffman (1996)*

80. Michael Clayton (2007)

81. Moonstruck (1987) *

82. Lost in Translation (2003)

83. Evil Dead 2: Dead by Dawn (1987)

84. Sideways (2004)

85. The 40 Year-Old Virgin (2005)*

86. Y Tu Mamá También (2002)

87. Swingers (1996)

88. Austin Powers: International Man of Mystery (1997)*

89. Breaking the Waves (1996)

90. Napoleon Dynamite (2004)

91. Back to the Future (1985) *

92. Menace II Society (1993)

93. Ed Wood (1994)

94. Full Metal Jacket (1987)

95. In the Mood for Love (2001)

96. Far From Heaven (2002)

97. Glory (1989)

98. The Talented Mr. Ripley (1999)

99. The Blair Witch Project (1999)

100. South Park: Bigger Longer & Uncut (1999)

Stay cool!

Thursday, June 19, 2008

Baghead - Review from an Extra

"Baghead - Review from an Extra" was written by Annie in Austin for her Transplantable Rose blog.



You can't do this until next month, but last weekend we went to see Baghead, the latest indie film from Mark and Jay, the Duplass brothers, who work on a shoestring budget to turn their stories into films. This movie is premiering in Austin - even New York and Los Angeles have to wait!
Philo and I loved the 2005 Duplass feature, The Puffy Chair, so we'd have wanted to see the latest Duplass movie in any event, but we had a special reason to see Baghead on opening weekend - to find out if either Philo or I could be glimpsed in the final film.

Most of Baghead was filmed at a cabin in the woods near Bastrop, Texas, a town Southeast of Austin. Hilarious, scary and surprising things happen to the two men and two women who are attempting to finish a screenplay for a movie - while also making sure the movie will provide roles for themselves.
Before they leave for the cabin, the story starts at a film festival, and back in October of 2006, Philo and I were both extras for a scene of an audience watching one of the film festival entries in a theater. I was directed to a seat right behind the four main characters and Philo was on the aisle, so we're both visible on screen for a couple of seconds - the sleeve of my light green blouse gets a few more seconds as background!

Baghead is said to use a comedy form to combine a scary movie with a relationship movie. That's not a bad description, and I'll add that we both liked the characters and story. It's an 'R' movie, which means casual profanity, nudity, and some violence. (These things don't bother me but I'm not sure who's reading this blog and thought you should be warned.)

And it's an indie movie which means some jiggly hand-held camera moments - and also some wonderful closeups. That visual intimacy with the actors' faces is something that's always been essential to the film experience, but recent movies are so stuffed with special effects, explosions, iconic landscapes, distant vehicles and petty details of historical recreation that there seems to be little time for dwelling on the individual landscape of the human face, keeping the audience at a distance from the people in the movie, sometimes leaving an unsatisfied feeling at film's end.

In contrast, the Duplass brothers let the camera linger on the faces of their four main characters, played by Greta Gerwig, Elise Muller, Steve Zissis and Ross Partridge and all of them were very watchable. We'd already seen Greta Gerwig when she starred with Mark Duplass in another indie movie called Hannah Takes the Stairs. Although I wasn't crazy about that movie it was interesting and I wanted to see the quirkily charming Greta Gerwig again - she's a naturally charismatic actor. Seeing Baghead let us know how amazing Steve Zissis can be - we hope to see him in more movies!

When the post about our experience as extras who'd been directed by the Duplass brothers went up in autumn of 2006, we didn't know whether we'd be in the movie - now I harbor delusions of grandeur and wonder whether a couple of seconds of screen time would qualify me for an entry on the IMDb. Could there be really be some filmmaker looking for a sixtyish, well-upholstered, grandmotherly type who sings songs to the trees?

"Baghead - Review from an Extra" was written by Annie in Austin for her Transplantable Rose blog.

Thursday, June 05, 2008

Swashbuckling, Wood-chunking, and Bug-sloshing

"Swashbuckling, Wood-chunking, and Bug-sloshing" was written by Annie in Austin for the Transplantable Rose

T
he adventures may have been bloody but they were cinematic and the blood was not real in the new arthouse movie called The Fall. This visually compelling movie came with recommendations from both Roger Ebert and a trustworthy friend, so Philo and I went to see it at the Regal Arbor a couple of nights ago. We liked it a lot and were enthralled by the performances of a young Romanian girl named Catinca Untaru and by an actor who was unknown at the time this long-in-progress movie was filmed, Oklahoma's own Lee Pace. (Lee is now a favorite for those of us who have fallen under the spell of Pushing Daisies.) Lee's character is Roy, an injured stuntman confined to a Hollywood hospital in the 1920's. The wonderful Catinca plays Alexandria, also a patient, also injured, but mobile and so charming she has the run of the hospital. Roy tells Alexandria "an epic tale of love and revenge" - interrupting his story like Scheherazade in "One Thousand and One Nights". We see Roy's words inhabited by the kind of characters seen in old movies and visualized against some amazing settings. The hospital scenes were filmed first, but it took four years and location filming in 18 countries for Tarsem Singh and his brother Ajit to get this story on screen. The official site is here. A review by Reel Fanatic is here. If this looks like your kind of movie, try to get to it while it's still on the big screen.

The blood is real elsewhere. Mpst of us have discovered that deer, woodchucks, raccoons, squirrels and other animals don't share - they're able to turn an entire crop to compost by taking one bite of each fruit or tomato, or are willing to destroy a garden seemingly on a whim. Most of us just write posts in order to vent our anger and grief over lost crops or plants, but some people go after the varmints with everything from guns to hammers. Read all about it in the New York Times article on Garden Vigilantes. Philo saw the story first and brought it to my attention as soon as I woke up this morning.


Sometimes I read the paper right away with that first cup of coffee, but lately have bee
n taking a quick run out to the tomato patch before breakfast to look for Leaf-footed stink bugs. I don't like to use pesticides anyway, but after reading the level of poison needed to control these bugs it would be out of the question - I don't want to kill off the bees, too! So I take my small bucket with a couple of inches of water in the bottom, lightly sprayed with something like Simple Green to break the surface tension, and in the other hand carry the Green Shears of Death, a pair of stainless steel garden scissors. The bugs are too fast to cut in half, but but by using the point to hold the insect's attention while stealthily moving the bucket underneath him, one jab forward and many a stink bug falls into my pail and drowns. As I scurry around the tomato frame in a nightgown, carrying a bucket and scissors and making triumphant little grunts as another bug falls to soapy death, the idea of me tending a front yard vegetable patch grows ever fainter in imagination.
Some adventures are best kept behind the garden gate.

There will be Flower Photos next time! I promise!


"Swashbuckling, Wood-chunking, and Bug-sloshing" was written by Annie in Austin for the
Transplantable Rose Blog.

Sunday, September 30, 2007

Jumping Off Bridges, revisited

In June 2006 I posted about two movies with Austin connections. One of the two was Jumping Off Bridges, a fine, independent, small-budget movie by Kat Candler and Stacy Schoolfield of Storie Productions. The cast included some professional actors, some young actors in their first screen roles - and one recognizable star, Michael Emerson , the multi-nominated "Ben Linus" from Lost.


A movie dealing with the effects of suicide on those left behind wasn't easy to package and getting it distributed became a long and difficult process. Along the way, Kat and Stacy's movie has found advocates and an audience, and has been presented by former First Lady Roslyn Carter. The filmmakers recently announced that J.O.B is being released on DVD. Congratulations to everyone connected to Jumping Off Bridges!

Friday, August 31, 2007

Three More Movies and A Blue Planet Update

Yes, we've once again managed to see three more movies in a real theater, not on cable or DVD. What can I say? It's hot and buggy, the wonderful Austin Film Society treated us to a couple of previews, and I can't resist Seth Rogen's voice.

As stated a few weeks ago, I'm no critic - just a movie fan who likes to talk about them. My children are adults so I no longer worry about ratings. Foreign films, bad language, interesting sex, nudity, inhaling, subtitles and endless conversations won't keep me from seeing a film that looks good, but excessive violence and lame dialogue might do it.




KNOCKED UP
A few years ago The 40 Year Old Virgin was pretty raunchy, and pretty funny, had lots of interesting things going on around the edges, yet was somehow sweet and life-affirming. The movie was directed by Judd Apatow and it featured Catherine Keener, Paul Rudd, Steve Carrell and a charismatic young guy named Seth Rogen. Once I read that Knocked Up was also directed by Judd Apatow and starred Seth Rogen and Paul Rudd, I wanted to see it. So we did. It was raunchy, way too full of potheads, very funny, had lots of interesting things going on around the edges, and it was ultimately sweet and life-affirming. When the DVD comes out I'll probably see it again.


2 DAYS IN PARIS
Movie number two was 2 Days in Paris - written and directed by Julie Delpy. I couldn't find downloadable wallpaper for 2 Days in Paris, so the poster has Julie with Ethan Hawke in the Richard Linklater film Before Sunrise. She and Ethan were also in Linklater's Before Sunset, and in his Waking Life - did you see any of these?

Delpy has made a very entertaining movie about the relationship between a quirky Parisian-to-New York woman, played by herself, and a neurotic American man played by Adam Goldberg. It's been interesting to watch him evolve from one of Linklater's scruffy Dazed and Confused high school kids into a lead actor in this movie.

Julie Delpy's movie parents are played by her very real parents, who are actors in France but have different occupations here. The humor comes from the conversations, the interplay of personalities, stereotypes both French and American, the language problems and the collision of American standards with Continental attitudes, in both sex and cuisine. There is artistic nudity, and given a French woman at the helm, the nudity deals less with the female body than with the male. There are memorable scenes in taxis and train stations and markets.


SELF MEDICATED
The Austin Film Society hosted movie number three, which opens tomorrow. Self Medicated has won a score of film festival awards in the last year, but independent films can win prizes without ever landing a spot on a marqee. It's having a limited run in New York, Los Angeles, Chicago, Las Vegas, Dallas, Houston, Austin, Phoenix, Boston, Seattle, Portland, Denver, San Diego, San Francisco and Indianapolis.

From the title you can guess we're going into addiction territory - set this time in Las Vegas with trips to an adolescent substance abuse hospital. The story is intense and emotional with a surprising amount of humor stirred in. The lead character reminds me a little of Clint Eastwood back when he was Rowdy Yates- those eyes, those cheekbones, athleticism, an impression of intelligence and a quality of stillness in the acting. Like Clint Eastwood the beauty has brains - twenty-something Monty Lapica not only stars in the film but is also the writer and director. Diane Venora plays his pill-popping mother and you'll probably recognize others in the excellent supporting cast.
Philo thought the cinematography by Denis Maloney was outstanding and I found Anthony Marinelli's score quite compelling. There were some parts of the story that strained belief, but the movie is an impressive debut which deserves to be seen by a larger audience. I'd like to thank the Austin Film Society for letting us see it.


BLUE PLANET RUN ~ ALMOST DONE

While we've been watching fine movies in a cool theater, Mary Chervenak and her clean water team have almost completed their circuit of the globe. I wrote about Mary and the Blue Planet Run at the beginning of July. Since then Mary has run across Europe, Russia, Mongolia, China, and Japan, and traversed the width of the US to New York State. Mary's parents live in the Corning area so she brought the team there for an overnight stay. They're now heading in the direction of Washington DC, where there will be some kind of public event on the 31st. Here's a link to some photos taken earlier this week.


Have a wonderful Labor Day weekend, and if you see any movies, let me know!